Internal Drum Microphone
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Audix D-2 Drum Microphone $129 Audix D-2 Drum Microphone |
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Audix F2 Drum Microphone $79.99 Audix F2 Drum Microphone |
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Nady DM-90 Drum / Instrument / Specialty Microphone $59.99 Nady DM-90 Drum / Instrument / Specialty Microphone The Nady DM-90 Dynamic Kick Drum Microphone was specially designed for the most accurate reproduction of extended low-frequency instruments and amps. The Nady DM-90 mic features a dynamic element and large diaphragm for capturing the attack, punch, and high SPL of bass drums. Supercardioid pattern for ultimate feedback rejection, and a rugged die-cast body with internal shockmount and hardened steel grille. Nady DM-90 Dynamic Kick Drum Microphone Features: Accurate reproduction of the extended low frequencies Dynamic element Large diaphragm for capturing the attack, punch under high SPLs of bass drums Supercardioid pattern for ultimate feedback rejection Rugged die-cast body Internal shockmount Hardened steel grille Get Your Nady DM-90 Drum / Instrument / Specialty Microphone Today! |
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Shure Pg56-Xlr Dynamic Drum Microphone $69 The Shure PG56-XLR Dynamic Drum Microphone has a sturdy die-cast housing that contains a rugged dynamic cartridge with neodymium magnet that’s tailored for snares and toms. Internal shockmount and a hardened steel grille prevent handling noise and ensure years of trouble-free service. Frequency response: 50Hz-15kHz. Shure includes clip, mic pouch, drum mount, educational guide, and 15′ XLR cable with your PG56-XLR Mic.Die-cast housingDynamic cartridge tailored for snares and tomsCardioid pattern rejects unwanted noise and minimizes feedbackNeodymium magnet for high outputInternal shockmount reduces handling noiseHardened steel mesh grille protects mic from errant sticksProbe-style grille allows cartridge to be placed close to source |
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Nady DMK-9095 Drum / Instrument / Specialty Microphone $219.99 Nady DMK-9095 Drum / Instrument / Specialty Microphone The Nady DMK-9095 microphone pack comes with four Nady DM 70 instrument mics, one Nady DM 90 kick drum microphone, two CM 95 microphones, and a fitted case. DM 70 Drum and Instrument Microphones Equipped to handle extremely high sound pressure levels without distortion, the DM70 microphones are ideal for live and studio close-miking of all types of drums and percussion instruments, and also for accurate sonic reproduction of brass, woodwind, and other instruments producing high sound pressure levels. DM 90 Dynamic Kick Drum Microphone Specially designed for the most accurate reproduction of extended low-frequency instruments and amps. The Nady DM-90 mic features a dynamic element and large diaphragm for capturing the attack, punch, and high SPL of bass drums. Supercardioid pattern for ultimate feedback rejection, and a rugged die-cast body with internal shockmount and hardened steel grille. CM95 Condenser Microphones Low-cutoff and -10dB attenuation switches for utmost versatility in all applications. High sensitivity, smooth, full frequency response and very high SPL capability. Transformerless design for minimal self-noise and increased dynamic range. Rugged, turned-brass mic housing and internal subassembly shockmount for maximum reliability. Nady DMK-9095 7-Piece Drum Mic Package Features: DM 70 Drum & Instrument Microphones Cardioid pattern allows close miking without bleed-through from other drum kit pieces Neodymium element delivers maximum output Up to 145dB SPL handling capacity for distortion-free reproduction of even the loudest drums and other instruments Transformerless moving-coil dynamic design for enhanced bass and fast transient response All-metal construction for maximum reliability Special rubber shockmount mic holder minimizes floor vibration pick-up Incredibly small, low-profile design for minimum visibility and versatile close-miking placement around the drum kit Gold-plated XLR for maximum conductivity Full frequency response for sonic punch with exceptional clarity: 70Hz – 16kHz DM 90 Dynamic Kick Drum Microphone Accurate reproduction of the extended low frequencies Dynamic element Large diaphragm for capturing the attack, punch under high SPLs of bass drums Supercardioid pattern for ultimate feedback rejection Rugged die-cast body Internal shockmount Hardened steel grille CM95 Condenser Microphones Low cutoff switch -10dB attenuation switch Smooth, full frequency response: 40Hz-20kHz High SPL capability: 131dB Transformerless design for minimal self-noise and wide dynamic range Turned-brass housing Internal sub-assembly shockmount Get Your Nady DMK-9095 Drum / Instrument / Specialty Microphone Today! |
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CAD DSM-1 Drum Microphone Mount $19.99 CAD DSM-1 Drum Microphone Mount |
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Shure PG56-XLR Dynamic Drum Microphone $69 Shure PG56-XLR Dynamic Drum Microphone |
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Shure A56D Microphone Drum Mount $39.99 Shure A56D Microphone Drum Mount |
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Electro-Voice PL35 Drum Microphone $99 Electro-Voice PL35 Drum Microphone |
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Audix DP7 Drum Microphone Pack $899 Audix DP7 Drum Microphone Pack |
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Sennheiser E604 Drum Microphone 3-Pack $349.95 Sennheiser E604 Drum Microphone 3-Pack |
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CAD Pro-4 Drum Microphone Pack $99.99 CAD Pro-4 Drum Microphone Pack |
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Audix F14 Kick Drum Microphone $99.99 Audix F14 Kick Drum Microphone |
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Cad Dsm-1 Drum Microphone Mount $19.99 CAD DSM-1 Drum Microphone Mount |
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Cad Pro-4 Drum Microphone Pack $99.99 CAD Pro-4 Drum Microphone Pack |
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Shure A56d Microphone Drum Mount $39.99 Shure A56D Microphone Drum Mount |
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Kelly SHU Composite Kick Drum Microphone Mount $47.95 Composite series Kelly SHU mounts are incredibly strong and durable. They are made using high-density reinforced compounds and are injection molded under a tremendous amount of pressure. The Kelly SHU Composite accepts any standard kick drum microphone that has a threaded base or mic clip. The Kelly SHU Composite series also gives you your choice of our exclusive internal and external installation options, both within the same product. All the installation components that ship with the Composite series mounts are the same as is included with the Kelly SHU Pro Systems. The System requires NO DRILLING for installation.Composite Kick Drum Microphone Mount Strong and durable Accepts any standard kick drum microphone Internal and external installation option No drilling required for installation The Kelly SHU Composite System includes The Kelly Shu composite SHU mounting unit 10 installation adjustment holes with grommets 16 support cord hooks 2.75 ft of solid rubber support cord 8 interior installation loops Universal microphone post with standard threads Oversized jam nut Complete installation instructions |
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Kelly Shu Composite Kick Drum Microphone Mount $47.95 Composite series Kelly SHU mounts are incredibly strong and durable. They are made using high-density reinforced compounds and are injection molded under a tremendous amount of pressure. The Kelly SHU Composite accepts any standard kick drum microphone that has a threaded base or mic clip. The Kelly SHU Composite series also gives you your choice of our exclusive internal and external installation options, both within the same product. All the installation components that ship with the Composite series mounts are the same as is included with the Kelly SHU Pro Systems. The System requires NO DRILLING for installation.Composite Kick Drum Microphone Mount Strong and durable Accepts any standard kick drum microphone Internal and external installation option No drilling required for installation The Kelly SHU Composite System includes The Kelly Shu composite SHU mounting unit 10 installation adjustment holes with grommets 16 support cord hooks 2.75 ft of solid rubber support cord 8 interior installation loops Universal microphone post with standard threads Oversized jam nut Complete installation instructions |
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Nady DM-90 Dynamic Kick Drum Microphone $39.99 The Nady DM-90 Dynamic Kick Drum Microphone was specially designed for the most accurate reproduction of extended low-frequency instruments and amps. The Nady DM-90 mic features a dynamic element and large diaphragm for capturing the attack, punch, and high SPL of bass drums. Supercardioid pattern for ultimate feedback rejection, and a rugged die-cast body with internal shockmount and hardened steel grille. |
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Nady Dm-90 Dynamic Kick Drum Microphone $39.99 The Nady DM-90 Dynamic Kick Drum Microphone was specially designed for the most accurate reproduction of extended low-frequency instruments and amps. The Nady DM-90 mic features a dynamic element and large diaphragm for capturing the attack, punch, and high SPL of bass drums. Supercardioid pattern for ultimate feedback rejection, and a rugged die-cast body with internal shockmount and hardened steel grille.Accurate reproduction of the extended low frequencies Dynamic element Large diaphragm for capturing the attack, punch under high SPLs of bass drums Supercardioid pattern for ultimate feedback rejection Rugged die-cast body Internal shockmount Hardened steel grille |
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Heil Sound PR 48 Kick Drum Microphone $242 The Heil PR 48 kick drum mic starts with Heil’s 1.5″ large diaphragm dynamic element sealed in a vulcanized shock mount and fed with a specially designed low-pass filter that creates a 10dB rise from 60Hz to 100Hz right where the kick drum resonates. The drum microphone stays out to 7.5 kHz and drops off drastically to eliminate any unwanted internal sounds. The total frequency response is 30Hz – 8.5kHz (4dB rise @ 4500Hz). Its rear rejection is -40dB @ 180ð off-axis. It can handle +148dB SPL. The Heil PR 48 microphone’s metal housing was designed with a slanted entrance to the 3-pin XLR so the cable assembly is easier to connect. The microphone provides a 600 ohm balanced output.The Heil HDK drum kit series is a culmination of over 2 years spent on the road with leading drummers. They gave Heil their ideas, dreams, and needs which Heil then turned into reality. Every component of a drum kit needs special attention when it comes to reproducing the sound accurately. There are many drum microphones out there, but the artists that helped design the Heil drum microphones wanted more accuracy, not just level. Each one of them were tired of little plastic toys that did not reproduce well. They all agreed, after hearing and using the technologies of the Heil drum microphones, that they had never heard this level of quality reproduction.1.5 diaphragm dynamic elementUtilizes a low-pass filter with a 3dB hinge point at 30Hz and 8.5kHzmetal housingStandard 5/8-27 threadSlanted entrance to the 3-pin XLR male connector |
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Heil Sound Pr 48 Kick Drum Microphone $242 The Heil PR 48 kick drum mic starts with Heil’s 1.5″ large diaphragm dynamic element sealed in a vulcanized shock mount and fed with a specially designed low-pass filter that creates a 10dB rise from 60Hz to 100Hz right where the kick drum resonates. The drum microphone stays out to 7.5 kHz and drops off drastically to eliminate any unwanted internal sounds. The total frequency response is 30Hz – 8.5kHz (4dB rise @ 4500Hz). Its rear rejection is -40dB @ 180 off-axis. It can handle +148dB SPL. The Heil PR 48 microphone’s metal housing was designed with a slanted entrance to the 3-pin XLR so the cable assembly is easier to connect. The microphone provides a 600 ohm balanced output.The Heil HDK drum kit series is a culmination of over 2 years spent on the road with leading drummers. They gave Heil their ideas, dreams, and needs which Heil then turned into reality. Every component of a drum kit needs special attention when it comes to reproducing the sound accurately. There are many drum microphones out there, but the artists that helped design the Heil drum microphones wanted more accuracy, not just level. Each one of them were tired of little plastic toys that did not reproduce well. They all agreed, after hearing and using the technologies of the Heil drum microphones, that they had never heard this level of quality reproduction.1.5 diaphragm dynamic elementUtilizes a low-pass filter with a 3dB hinge point at 30Hz and 8.5kHzmetal housingStandard 5/8-27 threadSlanted entrance to the 3-pin XLR male connector |
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Internal Brake Drum $22.6 Internal Brake Drum is in stock and ready to ship from TrendTimes.com. Our toy stores sell Internal Brake Drum for the best price of $16.85 and personal shoppers are standing by to assist you. |
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18 Coated White EQ1 Resonant Bass Drum Head $39.99 The EQ1 resonant head combines a 7mil solid front, internal overtone control ring, and dry vents to produce an absolutely cavernous rumble that is microphone friendly. The coating adds additional warmth, focus, and depth. |
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20 Black EMAD Resonant Bass Drum Head $47.99 A 7mil head with a fixed internal ring, the EMAD Resonant features two interchangeable foam rings that dampen overtones around the edge of the 5" off-set port, focusing the pitch and enhancing attack. The port is posistioned for easy microphone placement. |
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20 Coated White EQ1 Resonant Bass Drum Head $42.99 The EQ1 resonant head combines a 7mil solid front, internal overtone control ring, and dry vents to produce an absolutely cavernous rumble that is microphone friendly. The coating adds additional warmth, focus, and depth. |
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22 Black EMAD Resonant Bass Drum Head $50.99 A 7mil head with a fixed internal ring, the EMAD Resonant features two interchangeable foam rings that dampen overtones around the edge of the 5" off-set port, focusing the pitch and enhancing attack. The port is posistioned for easy microphone placement. |
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26 Coated White EQ1 Resonant Bass Drum Head $56.99 The EQ1 resonant head combines a 7mil solid front, internal overtone control ring, and dry vents to produce an absolutely cavernous rumble that is microphone friendly. The coating adds additional warmth, focus, and depth. |
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26 Smooth White Genera EQ3 Resonant Bass Drum Head $52.99 The 7mil EQ3 resonant head features the popular offset 5″ microphone hole and an internal overtone control ring for a controlled, short decay that’s ideal for both live and studio applications. |
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AT4040SP Studio Microphone Package $549.99 The AT4040SP Studio Pack offers two of Audio-Technicas renowned 40 Series studio condenser microphones: the AT4040 large-diaphragm side-address condenser and the AT4041 cardioid condenser. Each microphone is transformerless, resulting in exceptional transient response and extremely clean output signals; each is engineered to meet the most critical acoustic requirements of professional recording, broadcast and live sound. A shock mount, stand clamp and windscreen are included, along with a protective wooden carrying case. AT4040SP Studio Pack includes: AT4040 side-address cardioid condenser microphone AT4041 cardioid condenser microphone AT8449 shock mount AT8405a stand clamp AT8159 windscreen Wooden storage case About the microphones: AT4040 Side-address cardioid condenser microphone Technically-advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics Externally polarized (DC bias) true condenser design Exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections State-of-the-art surface-mount electronics ensure compliance with A-T’s stringent consistency and reliability standards Switchable 80 Hz hi-pass filter and 10 dB padAT4041 Cardioid condenser microphone Smooth, extended frequency response with a slight rise occurring in the high-frequency region Ideal for drum overheads, acoustic guitar, piano, horns and under snare Low-mass diaphragm improves transient response, increases response bandwidth and reduces handling and mechanical noise transfer Transformerless circuitry virtually eliminates low-frequency distortion and pr |
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Audio2000s ACM1901 Professional Condenser Mic Phantom Power Only $59.25 The Audio2000 S ACM1901 microphone is a premium quality condenser microphone. With the elegant shape and clean sound the ACM1901 is suitable for recording various instrument in concert halls and theaters. The ACM1901 has a 10 dB attenuation switch and a low frequency roll-off switch. Moreover a newly designed internal shock-mount effectively minimizes mechanically transmitted stand and handling noise. The standard ACM1901 package includes an ACM1901 condenser microphone a microphone holder in a deluxe wood box. Musician / drummers (drum set overhead microphone); church; school; conference room. Type: Condenser. Polar Pattern Cardioid. Sensitivity: 10mV/Pa – 1KHz. Input Impedance:200 Ohms (Balanced). Frequency Response: 30 – 20 000 Hz. Max. Input Level: 138dB SPL. |
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Beta 58A Supercardioid Dynamic Microphone $159 The Shure Beta 58A is the perfect, professional choice in a handheld dynamic microphone for male and female voices, young and mature, gentle or aggressive. Among the first things youll notice when using the Shure Beta 58a is its high, rich, clear output. Its so high, as a matter of fact, that itd be only natural to fear feedback or boominess. But alas, fear not. Its supercardioid pattern keeps your signal tight as a drum and pretty much eliminates any sounds coming from the sides or the rear. Super-high gain before feedback is what were talking about a priceless feature when every single performance counts and on any given night it could be THE night!The good folks at Shure were really thinking this through and designed the frequency response to add a little midrange lift, right in the middle of the vocal frequency spectrum. Bam! You can really hear it! Full and fabulous!Its got an internal shock-mount system, so handling noise is kept to a minimum, if heard at all. The rugged steel-mesh grille is internally lined with a foam pop filter so right out of the box youre ready to roll (and rock, if you will).Heres a little discussed fact: Try the Shure Beta 58a with a quality preamp in a studio recording environment. It just may be the ticket to help your vocal or acoustic guitar sit perfectly in the mix, even better than some pricey condenser mics (though your mileage may vary).Disclaimer: The Shure Beta 58a may very well be the very last handheld dynamic microphone youll need to purchase. There. We said it. |
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Claustrophobic EZX Expansion Library (for EZdrummer) $79.99 In collaboration with Sontronics Microphones and Evans drumheads Toontrack Music announces the Claustrophobic EZX. The Claustrophobic EZX marks a new step for Toontrack in driving the development of percussive samples. The audio team at Toontrack has utilized drumhead selection, room and microphone configurations to fuse the qualities of a high end drum recording and the cutting edge of the radical beats of todays top RnB, Hip Hop and Pop producers. Add to that samples run through the best outboard effects and made accessible in the EZmixer to build your own mixer presets for on the fly sound design and youve got all the ingredients to produce, write and play music that takes you and your beats one step further, C for Cutting edge, C for Contemporary, C for Claustrophobic. Oh, and did we mention that the Claustrophobic EZX was recorded in a very small room? The Claustrophobic EZX was sampled through the very best of outboard with distortion, reverb, compression and attack effects included in the internal mixer. This enables you to access a large number of mixer presets by STS 9, Richard Devine, DJ Amplive, sub-ID and Count Bass D. And you can save your own custom mixer presets (with EZdrummer 1.1). Sampled through the best of outboard effects with compression, distortion, attack and reverb made available in the EZmixer. Mixer presets by STS 9, Richard Devine, DJ Amp live, sub-ID and Count Bass D. The possibility to save your own mixer presets with EZdrummer 1.1 installed. Requirements: 1,2 Gb free disc space, 512 Mb RAM, DVD drive, dfh EZdrummer 1.1 installed. |
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CrashGuard Drum Mic Isolator $34 The CrashGuard is a unique sound-shielding device that isolates the drum microphone to attenuate the sound of cymbals during the recording process. This has the net effect of reducing interference between the two sources thus enabling greater control over the sound of the drum.Compact and light weight, the CrashGuard is designed to fit most popular drum microphones and mounts directly on the boom stand using the microphone clip to hold it in place. The high impact ABS construction is tough enough to withstand the hit of a drum stick by even the most aggressive drummer.To ensure the microphone performance is maintained, the under-belly is fully coated on the inside with high density open-cell foam to absorb internal reflections and reduce phase cancellation. Plus the innovative design features an extended cable cutout that allows the microphone to be articulated for precise placement, further optimizing the performance.Once in place, the CrashGuard surrounds the microphone with a sonic barrier. By reducing the spill from the cymbals, more of the drum can be captured. This enables the engineer to add EQ to the drum such as increasing high end for more attack without accentuating the sound of the cymbal. On close proximity sources such as the high-hat and snare, the engineer enjoys greater balance over each sound.The CrashGuard is an easy to use instrument shield designed to control the spill of cymbals entering the drum for greater control during the recording process. |
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DB90 Dr. Beat Metronome $179 Practice in style with the flagship of the Dr. Beat Metronome line. The new DB-90 is loaded with quality sounds and drum patterns to make your practice sessions less mundane and more musical. Theres a Rhythm Coach function with an onboard mic, a reference-tone function for tuning, an Instrument input, MIDI input, and other handy tools to make learning fun and effective. The most advanced metronome available Trigger input to access unique Rhythm Coach exercises MIDI in for syncing to external sequencer tempos PCM sounds with drum machine style patterns 50 memories Human-voice count Better Beats, Better PracticeThe Note Mixing function allows you to instantly create a variety of beats by adjusting the levels of five different note values. Front-panel sliders, buttons, and a large rotary dial provide instant, hands-on access to edit parameters. Select four different click sounds, including a human voice-counting sound that will help you know your place in the bar. The DB-90 is also equipped with realistic PCM drum patterns, for developing your accuracy and rhythmic feel effectively. Plug Into Rhythm CoachExpand your rhythmic horizons with Rhythm Coach. This innovative follow-along feature has four training modes to help build your accuracy, speed, and endurance. With the DB-90s onboard microphone, you can use the Rhythm Coach functions with acoustic drums, or plug a Roland V-Pad into the Trigger input. Play along, and chart your progress. Many UsesDrummers can connect to the DB-90 via Roland V-Pads or the internal microphone. Guitarist and bassist can directly plug into the DB-90 without any other gear required, and monitor via connected headphones practically any type of instrumentalist can benefit from the DB-90s features. And for those who wish to sync to an external sequencer for more elaborate accompaniment, they can do so with the DB-90s MIDI input. This stage-oriented feature is especially useful for drummers. |
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Evans EMAD Resonant Black 22 Bass Drumhead $34.8 The EMAD Resonant comes with 2 interchangeable foam rings that allow you to manipulate the bass drum resonant head sound without the need for internal damping. The 2 foam rings vary in thickness to vary the amount of overtone dampening. Each ring eliminates overtones around the edge of the 5 offset microphone port and offers varying degrees of control over attack, sustain, pitch, and feel. A fast and efficient way to change your tone without changing your entire resonant head. |
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Evans EQ2 Batter Clear Bass Drumhead 20 inch $36.37 Evans Bass Drumhead – 20 EQ2 Batter Clear EQ2 Batter Clear An extra-durable two-ply head (10mil external ply, 6.5mil internal ply) with an internal overtone control ring, a removable EQ muffle ring, and dry-vents…the EQ2 gives the microphone what it wants to hear, yet can project without mikes. Instrument: Drum Set-Bass Finish: Clear Attack: Very Defined Tone: Medium Warm Sustain: Very Focused Feel: Firm Durability: Extreme |
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Heil Sound PR 22 Noise-Rejection Microphone $182 The Heil PR 22 represents completely redesigned dynamic microphone technology designed for a wide range of professional applications such as live sound, commercial broadcast, and sophisticated recording. Its wide frequency range and outstanding low handling noise outperforms the tired, 30+ year old industry technology and can withstand huge amounts of SPL. The end result is a microphone that can answer the call to any application. For example, the gorgeous upper mid range makes the PR 22 among the best live vocal microphones, while its outstanding frequency response and superb dynamic range suit it perfectly for use with a snare drum.Since 1982, Heil Sound has been a leading manufacturer of communications microphones and has a paramount understanding of phasing. When properly applied, this knowledge creates outstanding cardioid patterns with unbelievable rear rejection that removes unwanted sounds that try to enter from the off axis rear. Its pattern control is outstanding. This exceptional performance is achieved by using the ideal combination of materials for the large low mass diaphragm and a special mixture of neodymium, iron, and boron that gives the PR 22 the strongest magnet structure available.In addition to the special magnet structure, the PR 22 achieves its exceptional performance by using a large 1 1/8 low mass voice coil assembly with a very unique internal sorbothane suspension system that has been designed to reduce undesirable handling noise. Special attention has been paid to the phasing plug assembly with equally placed ports that sense audio from behind, entering them out of phase. Thus, it produces a very linear cardioid pattern and reduces the proximity effect while achieving perfect articulation. This new Heil element is usable in extreme high sound pressure levels and is immune to overload conditions making it perfect for vocal and live sound applications. |
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Heil Sound PR 22 Spotlight Series Dynamic Microphone Red $208 This special Spotlight Series edition of the Heil Sound PR 22 delivers the same outstanding versatility and range of the original. This model though, comes in several slick colors.The Heil PR 22 represents completely redesigned dynamic microphone technology designed for a wide range of professional applications such as live sound, commercial broadcast, and sophisticated recording. The microphone’s wide frequency range and outstanding, low handling noise outperforms the tired, 30+ year old industry technology and can withstand huge amounts of SPL. The end result is a microphone that can answer the call to any application. For example, the gorgeous upper mid range makes the Heil PR 22 among the best live vocal microphones, while its outstanding frequency response and superb dynamic range suit it perfectly for use with a snare drum.Since 1982, Heil Sound has been ranked with the leading manufacturers of communications microphones and has a paramount understanding of phasing. When properly applied, this knowledge creates outstanding cardioid patterns with unbelievable rear rejection that removes unwanted sounds that try to enter from the off-axis rear. Its pattern control is outstanding. This exceptional performance is achieved by using the ideal combination of materials for the large low mass diaphragm and a special mixture of neodymium, iron, and boron that gives the PR 22 the strongest magnet structure available.In addition to the special magnet structure, the Heil PR 22 microphone achieves its exceptional performance by using a large 1-1/8 low mass voice coil assembly with a very unique internal sorbothane suspension system that has been designed to reduce undesirable handling noise. Special attention has been paid to the phasing plug assembly with equally placed ports that sense audio from behind, entering them out of phase. Thus, it produces a very linear cardioid pattern and reduces the proximity effect while achieving perfect articulation. This Heil element is |
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Heil Sound PR 48 Kick Drum Microphone $242 The Heil PR 48 kick drum mic starts with Heil’s 1.5 large diaphragm dynamic element sealed in a vulcanized shock mount and fed with a specially designed low-pass filter that creates a 10dB rise from 60Hz to 100Hz right where the kick drum resonates. The drum microphone stays out to 7.5 kHz and drops off drastically to eliminate any unwanted internal sounds. The total frequency response is 30Hz – 8.5kHz (4dB rise @ 4500Hz). Its rear rejection is -40dB @ 180 off-axis. It can handle +148dB SPL. The Heil PR 48 microphone’s metal housing was designed with a slanted entrance to the 3-pin XLR so the cable assembly is easier to connect. The microphone provides a 600 ohm balanced output.The Heil HDK drum kit series is a culmination of over 2 years spent on the road with leading drummers. They gave Heil their ideas, dreams, and needs which Heil then turned into reality. Every component of a drum kit needs special attention when it comes to reproducing the sound accurately. There are many drum microphones out there, but the artists that helped design the Heil drum microphones wanted more accuracy, not just level. Each one of them were tired of little plastic toys that did not reproduce well. They all agreed, after hearing and using the technologies of the Heil drum microphones, that they had never heard this level of quality reproduction. 1.5 diaphragm dynamic elementUtilizes a low-pass filter with a 3dB hinge point at 30Hz and 8.5kHzmetal housingStandard 5/8-27 threadSlanted entrance to the 3-pin XLR male connector |
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KIT A-EX Virtual Drum Plug In (External Hard Drive) $299 So what's the deal?MIXOSAURUS is a virtual drumset instrument to be used in computer-based music production environments. It comes as standalone software as well as multichannel plugin in VST/AU/DXi/RTAS formats for Mac and PC and uses Native Instruments' powerful KONTAKT technology. Shipped pre-installed on its own harddrive, it connects to your computer via FW800 or eSATA (also available on internal SATA drive) and is ready to roll in a minute. No lengthy installation, no free HD space required.MIXOSAURUS gives you an authentic rendition of a multitracked drumset in your DAW environment. Authentic to drummers, authentic to mix engineers, authentic to experienced producers – and listeners. Where other drum instruments or libraries combine a multitude of separately sampled drums and cymbals to non-authentic sounding and musically crippled sets, MIXOSAURUS consists of ONE DRUMKIT that was set up all together and sampled with authentic ringing and sympathetic vibrations, and with a truly uncompromising focus on musical versatility and detail. Features:Most advanced drum library on the planet122GB / 80,000 stereo samples!20 microphone setupsKontakt Player included; MIDI files and grooves included.Drive has 2 year warranty |
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KIT A-IN Virtual Drum Instrument Plug In (Internal Hard Drive) $899.99 So what's the deal?MIXOSAURUS is a virtual drumset instrument to be used in computer-based music production environments. It comes as standalone software as well as multichannel plugin in VST/AU/DXi/RTAS formats for Mac and PC and uses Native Instruments' powerful KONTAKT technology. Shipped pre-installed on its own harddrive, it connects to your computer via FW800 or eSATA (also available on internal SATA drive) and is ready to roll in a minute. No lengthy installation, no free HD space required.MIXOSAURUS gives you an authentic rendition of a multitracked drumset in your DAW environment. Authentic to drummers, authentic to mix engineers, authentic to experienced producers – and listeners. Where other drum instruments or libraries combine a multitude of separately sampled drums and cymbals to non-authentic sounding and musically crippled sets, MIXOSAURUS consists of ONE DRUMKIT that was set up all together and sampled with authentic ringing and sympathetic vibrations, and with a truly uncompromising focus on musical versatility and detail.Features:Most advanced drum library on the planet122GB / 80,000 stereo samples!20 microphone setupsKontakt Player included; MIDI files and grooves included.Drive has 2 year warranty |
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KSM137SL Cardioid Condenser Microphone $299 The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Comes with windscreen and carrying bag. Champagne finish. Features A highly consistent cardioid polar pattern Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion Premium electronic components, including gold-plated internal and external connectors Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs) Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect Performance Characteristics Extended frequency response Low self noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior common mode rejection and suppression of radio frequency interference APPLICATIONSSome typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed. Acoustic instruments — such as piano, guitar, drums, percussion, strings Wind instruments — brass and woodwind Low frequency instruments — such as double bass, electric bass, kick drum Overhead miking — drums or percussion Ensembles — choral or orchestral Room |
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KSM141SL Dual Pattern Condenser Microphone $399.99 The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion Premium electronic components, including gold-plated internal and external connectors Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect Performance Characteristics Extended frequency response Low self noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior common mode rejection and suppression of radio frequency interference ApplicationsSome typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed. Acoustic instruments — such as piano, guitar, drums, percussion, strings Wind instruments — brass and woodwind Low frequency instruments — such as double bass, electric bass, kick drum Overhead miking — drums or percussio |
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Kelly SHU Composite Kick Drum Microphone Mount $47.95 The Kelly Shu Composite Kick Drum Microphone Mount accepts any standard kick drum microphone that has a threaded base or mic clip. Incredibly strong and durable, this drum mount gives you your choice of our exclusive internal and external installation, and requires no drilling for installation. |
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Kelly SHU Composite Series Bass Drum Mount $49.99 Integrated Shock Mount Isolation System for Kick Drum Microphones. This COMPOSITE Series offers the affordability of injection molding, using high-density compounds. Kelly Concepts, LLC is happy to announce the availability of The Kelly SHU Composite. The Composite Series Kelly SHU mounts offer the same functionality as our Kelly SHU Pro systems at a price that fits anyones budget.The Composite series Kelly SHU mounts are incredibly strong and durable, made using high-density reinforced compounds, injection molded under a tremendous amount of pressure. The Kelly SHU Composite accepts any standard kick drum microphone that has a threaded base or mic clip.All the installation components that ship with the Composite series mounts are the same as is included with our Kelly SHU Pro Systems. The System requires NO DRILLING for installation!The Kelly SHU is a whole new approach to kick drum microphone mounting systems. Both internal and external installations of the system utilize the bass drum's pre-existing hardware, which then becomes the framework for an integrated kick drum microphone shock mount and isolation support system. The Kelly SHU provides your favorite standard kick drum microphone the shock-mounted, suspended platform needed to ward off stage vibration, low-end sound wave transfer and other mechanical interferences from clouding up your kick drum signal. The lengthy isolation cords provide an effective disconnection of the microphone from the kick drum and the stage that the kick drum sits on, both at the same time.The KELLY SHU kick drum microphone mounting system will eliminate the requirement of a separate stand, boom arm and bulky counter-weight for the kick drum microphone. Not only does the system save you valuable floor space, but you'll also save time at set-up because the microphone can stay with the drum during transport. The Kelly SHU will stay in place, remaining positioned exactly where you want it every time you move and set up the d |
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Kelly SHU Pro Series Bass Drum Mount $99.99 Better Than A Boom Stand!The ULTIMATE Kick Drum Microphone Isolation and Shock-Mount System.The PRO Series mounts are made from machined #303 Aluminum with a Limited Lifetime Warranty. If you're looking for a cleaner bass drum signal and you're willing to save some stage space while getting it, look no further than The Kelly SHU.The Pro series Kelly SHU kick drum microphone shock mounts have been road-tested and tour-approved by many of today's professional drummers and sound engineers. Through their constant set-up, teardown and travel on the road, The Kelly SHU Pro has reliably become a permanent part of their kick drum rigs.Each Pro series Kelly SHU mount is individually machined from #303 high-grade aluminum stock, then anodized which allows the natural color of the aluminum to shine through.The Kelly SHU is a whole new approach to kick drum microphone mounting systems. Both internal and external installations of the system utilize the bass drum's pre-existing hardware, which then becomes the framework for an integrated kick drum microphone shock mount and isolation support system. The Kelly SHU provides your favorite standard kick drum microphone the shock-mounted, suspended platform needed to ward off stage vibration, low-end sound wave transfer and other mechanical interferences from clouding up your kick drum signal. The lengthy isolation cords provide an effective disconnection of the microphone from the kick drum and the stage that the kick drum sits on, both at the same time.The KELLY SHU kick drum microphone mounting system will eliminate the requirement of a separate stand, boom arm and bulky counter-weight for the kick drum microphone. Not only does the system save you valuable floor space, but you'll also save time at set-up because the microphone can stay with the drum during transport. The Kelly SHU will stay in place, remaining positioned exactly where you want it every time you move and set up the drums! Just plug in and G |
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Korg microSAMPLER 37 Natural-Touch Mini-Key Sampling Keyboard Bundle $349.99 Korg 37 Natural-Touch Mini-Key Sampling Keyboard with Gooseneck Microphone – microSAMPLER.- The Korg microSAMPLER makes sampling easy and performing a blast. Now your friends at Korg have gone even further to kick-start your sampling experience. Presenting the microSAMPLER Bonus Sample Pack. Korg’s world-class sound team has gone ahead and put together banks and banks of inspiring sounds, all ready to load and play in your microSAMPLER today! Imagine classic Korg keyboards, vintage synths, and coveted drum machines. Enjoy up-to-the-minute grooves and classic beats spanning a world of styles from hip-hop, electronic, rock, Drum N Bass, and way more. Best of all, they’re free. Click on Support (above) and download the Bonus Sample Pack, and let your microSAMPLER shine.- The microSAMPLER hosts a solid complement of top-end sampling features to expand your creative potential. This full-fledged instrument offers fourteen-voice polyphony, reverse playback, editing operations such as Normalize and Truncate, and a Time Stretch feature that lets you change the tempo without affecting the pitch. Selectable sample rates of 48 kHz, 24 kHz, 12 kHz, and down to 6 kHz let you sample at rates beyond CD clarity or add in that Lo-Fi vintage vibe. Each bank contains 36 samples (a maximum of approximately 160 seconds of recording time for monaural samples at a 48 kHz sampling rate) and sixteen patterns of sequence data; the microSAMPLER lets you store eight such banks in internal memory. The Keyboard mode takes a single sample and assigns it chromatically across the keys for instant playability. With its recessed controls, bright LEDs and informative display, the microSAMPLER is fun to use and easy to operate – for beginners or seasoned pros.Bundle Also Includes :- Three-Position X-Style Bench.- Single-X X-Style Keyboard Stand. |
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MG2414FX 24×14 Channel Mixer $1049.99 If your application is live sound reinforcement, you’ll want all the channel capacity you can get – just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 channels, the MG24/14FX is ready to handle all but the most ambitious sound-reinforcement setups. And with dual SPX digital effect systems on-board, you won’t need racks of outboard gear to get the sound you need. There’s also a comprehensive range of group and auxiliary busses to make even complex mixes easy. 24 Input ChannelsThe MG24/14FX has 16 mono microphone/line channels with four stereo line channels in addition to the mono mic/line channels. Low-noise, High-precision Mic Preamps With Phantom PowerAll 16 mic preamps in the MG24/14FX are of exemplary quality. They offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones, which adds up to cleaner, better-sounding mixes. All mic preamps feature switchable phantom power for phantom-powered studio condenser microphones. Phantom power is switchable in 8-channel groups. Illuminated SwitchesIlluminated ON (channel), PFL (Pre-Fader Listen), and phantom-power switches let you confirm critical console settings at a glance. 14 Buses In All For Flexible Signal RoutingIn addition to lots of input channels, live sound reinforcement applications usually demand a number of additional mixes – usually in the form of group sub-mixes and aux sends for external signal processing and monitor mixes. In the MG24/14FX you have a total of 14 mix buses: the main stereo program bus, four stereo group bus pairs for convenient channel grouping, six auxiliary busses (four configurable for pre- or post-fader operation and two set up as effect sends), and two internal effect busses that feed the dual high-performance built-in effect processors. Insert I/OAll mono input channels feature insert I/O patch points so you can insert compressors, EQ, or |
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MG3214FX 32×14 Channel Mixer $1249.99 If your application is live sound reinforcement, you’ll want all the channel capacity you can get – just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 32 input channels, the MG32/14FX is ready to handle all but the most ambitious sound-reinforcement setups. And with dual SPX digital effect systems on-board, you won’t need racks of outboard gear to get the sound you need. There’s also a comprehensive range of group and auxiliary busses to make even complex mixes easy. 32 Input ChannelsThe 32-channel MG32/14MX has 24 mono microphone/line channels with four stereo line channels in addition to the mono mic/line channels. Low-noise, High-precision Mic Preamps With Phantom PowerAll 24 mic preamps in the MG32/14FX are of exemplary quality. They offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones, which adds up to cleaner, better-sounding mixes. All mic preamps feature switchable phantom power for phantom-powered studio condenser microphones. Phantom power is switchable in 8-channel groups. Illuminated SwitchesIlluminated ON (channel), PFL (Pre-Fader Listen), and phantom-power switches let you confirm critical console settings at a glance. 14 Buses In All For Flexible Signal RoutingIn addition to lots of input channels, live sound reinforcement applications usually demand a number of additional mixes – usually in the form of group sub-mixes and aux sends for external signal processing and monitor mixes. In the MG32/14FX you have a total of 14 mix buses: the main stereo program bus, four stereo group bus pairs for convenient channel grouping, six auxiliary busses (four configurable for pre- or post-fader operation and two set up as effect sends), and two internal effect busses that feed the dual high-performance built-in effect processors. Insert I/OAll mono input channels feature insert I/O patch points so you can insert com |
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Mojave Audio Large Diaphragm Tube Condenser Professional Microphone $1350.13 Exceptional attention to detail defines the Mojave line of microphones designed with quality US components. The MA-200 is a large diaphragm, vacuum tube condenser microphone with a fixed cardioid pattern. Born to a lineage of fine microphone designs by David Royer, the MA-200 gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones. Utilizing hand-selected 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200 performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-200 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-200 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case with professional shock mount included. Features: Hand-selected 3-micron capsule, Jensen audio transformer, Military grade JAN 5840 vacuum tube, Internal switchable power supply voltage, and Ultra clean signal path. Recommended applications: Use anywhere you would use an expensive, large diaphragm tube microphone such as Vocals, Broadcast, Acoustic Instruments, Piano, Drum Overheads, Drum Rooms, Orchestral Recording, Choral Recording and Voice-overs. TECHNICAL DATA: TRANSDUCER TYPE: Externally excited capacitor type, DIAPHRAGM: 1-inch diameter, gold sputtered, DIAPHRAGM THICKNESS : 3-microns, POLAR RESPONSE: Cardioid, FREQUENCY RESPONSE: 30 Hz-18 kHz, 3dB, SENSITIVITY: -37dB re 1V/pa , MAXIMUM SPL: 120dB, DISTORTION: head amp only, 1% @117dB SPL, 3% @ 125dB SPL, SELF NOISE: 14db nominal, not to exceed 16db (A Weighted), IMPEDANCE: 200 ohms, balanced using an output transformer, VACUUM TUBE: 5840 – pentode tube wired for triode operation, POWER REQUIREMENTS: 100-120VAC; 220-240 |
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NT1A 1 Studio Condenser Microphones $549 This pair of Rode NT1-A microphones has been acoustically matched to be within dB sensitivity, and is an ideal stereo microphone solution for recording choirs, drum overheads and other X/Y and spaced pair stereo recording applications.The Rode NT1-A-MP (matched pair set) also features professional accessories for both microphones, including two shock mounts and two 20' microphone cables. Also included is a matched pair certificate, detailing the microphones' serial numbers and certifying them as being acoustically matched.About the NT1-A:So youre on a budget but you need a microphone that sounds way more expensive than its affordable price tag? Well, look no further than the Rode NT1-A.Set in a tight cardioid pattern, the Rode NT1a embodies all the characteristics of a high-end, expensive studio microphone, but leave it to the fine folks at Rode to deliver outstanding quality in an affordable package.The large 1 (25mm) capsule protected behind the sturdy wire-mesh grille employs a gold-plated diaphragm that exhibits extremely low self-noise (5dB), has a wide dynamic range and handles high SPL (137 dB). This makes it an excellent choice for a variety of applications. The internal capsule is shock-mounted within the mic itself, making handling or vibration noise minimal.Get your Rode NT1-A Matched Pair Cardioid Condenser Microphones today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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Nady DM-90 Dynamic Kick Drum Microphone $39.99 The Nady DM-90 Dynamic Kick Drum Microphone was specially designed for the most accurate reproduction of extended low-frequency instruments and amps. The Nady DM-90 mic features a dynamic element and large diaphragm for capturing the attack, punch, and high SPL of bass drums. Supercardioid pattern for ultimate feedback rejection, and a rugged die-cast body with internal shockmount and hardened steel grille.Accurate reproduction of the extended low frequencies Dynamic element Large diaphragm for capturing the attack, punch under high SPLs of bass drums Supercardioid pattern for ultimate feedback rejectionRugged die-cast body Internal shockmount Hardened steel grille |
Andy’s Internal Bass Drum Mic Mount.
Creating Studio Microphone
Recording studio microphone choice is an vital activity when creating a home Recording Studio. The cost of producing a studio can quickly escalate so it’s critical to achieve an excellent knowledge of the different kinds of devices to ensure that you do not waste your spending budget. Among the list of most significant pieces of devices you can make investments in can be a recording studio microphone. If it’s bad features then you certainly are certain to get rid of quite a bit of high quality within the recording of vocals and instruments. Here i will discuss some valuable guidelines to remember whenever you are shopping for microphones.
The 1st factor to remember is they will pick up sound wherever you set them. Some are a lot less durable than other people but most lower-end microphones are created equivalent. If you’re looking into a bigger end model then you can expect some extra features and sound good quality. These increased stop microphones could be additional of an cost to start out out with but when you intend to utilize them a lot then they will be nicely well worth the funds. Appeal is about over just value. It is far better to expend a little bit a lot more cash if it ensures more good quality and dependability.
There are two main kinds of recording studio microphone – dynamic microphones and condenser microphones.
Dynamic microphones are physically significantly more powerful than condenser microphones and can even stand up to staying dropped. They can be typically applied for both equally reside and recording work. Dynamic microphones can frequently be seen recording loud amplified instruments this sort of as guitars. This sort of microphone isn’t going to need its individual ability supply. Dynamic microphones are very flexible and can be utilised to report each vocals and instruments. With every single recording studio microphone you employ to record vocals, this is a sensible selection to invest within a pop filter – to filter out a vocalists hissing or popping appears.
Condenser microphones are a lot more fragile than dynamic microphones and do require a power supply. This could be furnished both by an internal battery or an external electrical power source. They can be additional costly than dynamic microphones and so are normally observed in a Sound Recording Studio setting instead than out at gigs. Condenser microphones are typically utilized to record gentle acoustic seems and vocals. When you ought to record drums you might be most likely to need to have at the least one particular recording studio microphone of every form. Working with 4 microphones for drums is just not unusual – a dynamic microphone for the kick and snare drum and two condenser microphones judiciously placed overhead.
Be sure to accomplish your homework to search out the proper microphone for ones price range. Nevertheless, remember that the quality of your respective recordings is always to a large extent dependent to the good quality of each recording studio microphone.