Condenser Mic Recording
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USB Studio Recording Condenser Mic(Pack of 1) $232.99 Cad Usb Studio Condenser Micnic MicRecording Studio Quality Audio Directly Onto PcGreat For Vocals And InstrumentsLarge Condenser Microphone Element For Warm, Rich RecordingsRecord Songs To Pod-Cast Over The InternetMac® And Window |
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NT5 – Condenser Mic $219 The NT5 is a masterpiece of small-diaphragm cardioid-condenser microphone design. Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a .5” capsule, an active J-FET imped |
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S1 – Handheld Mic Condenser $329 The RØDE S1 is designed specifically for ‘no compromise’ live vocal performance, but has also found a place in the studio where the performer wants to hold the recording mic! The S1 utilizes a true condenser transducer for studio quality sound reproductio |
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MXL 2003A Condenser Mic $163.75 The MXL 2003A is a go-to condenser microphone for those critical recording applications like acoustic guitar, where clarity, presence, and detail are essential. Selectable bass cut and -10dB pad provide additional recording options, while its transformerless FET preamp will please the pickiest engineers with its smooth and even response. |
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MXL V69XM Tube Condenser Mic $399 Internally wired with world-class Mogami cable, the MXL V69XM is a versatile vacuum tube condenser microphone with a 32mm capsule and transformer-balanced output for extremely high levels of tonal quality. The MXL mic is a perfect complement to analog and digital recording devices and will give you superb vocal and instrument reproduction for years to come. |
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Shure SM81 Condenser Mic $349 Shure SM81 Condenser Mic |
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Shure KSM32/SL Condenser Mic $549 Shure KSM32/SL Condenser Mic |
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Mxl 2003A Condenser Mic $163.75 MXL 2003A Condenser Mic |
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Shure Ksm32/Sl Condenser Mic $549 Shure KSM32/SL Condenser Mic |
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Cad Condenser Mic $57.99 CAD CONDENSER MIC |
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Nady SCM 900 Condenser Mic $69.99 The Nady SCM 900 Condenser Mic has the quality for even the most demanding digital recording use. The hand-tooled brass microphone capsule features an ultrathin (3 micron), 1″ gold-sputtered Mylar diaphragm. The FET preamp offers natural reproduction. Cardioid pattern, internal shockmount construction, gold-plated XLR jack, 30Hz-16kHz frequency response, -6dB@100Hz low cut filter, 125dB SPL handling, and 76dB S/N ratio. 48V phantom power required. |
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Behringer T-1 Tube Condenser Mic $196.99 The sound of tube mics is undeniably rich and smooth. At the heart of each Behringer T-1 condenser mic is a hand-selected 12AX7 tube, which has been specifically designed to give these recording microphones their incredible sonic character. One advantage tube condensers have over their solid-state counterparts is that they are not subject to the rapid rise of odd-order harmonics, which the ear perceives as highly unmusical. Even when subjected to high sound pressure levels, the T-1 condenser mic reacts in much the same way the human ear does.An ideal kick-drum micWhile this condenser mic can handle input levels as high as 130dB, the T-1 comes equipped with a switchable -20dB pad for the extremely high transients generated by kick-drums and heavy-metal vocalists. With its 20Hz to 20kHz frequency range, the T-1 can handle all the low-frequency content you can throw at it, and still provide all the definition your sound source deserves.Cardioid polar patternBehringer T-1 Tube Condenser Mics feature a tight cardioid (heart-shaped) sound-reception pattern, which reduces the pickup of sound from the sides and rear for improved source isolation. The included custom shock mount fits all standard microphone stands and provides further isolation from external sources of vibration, such as sounds transmitted through floor joists and outside traffic.Dedicated power supplyThe included Behringer PSU-T power supply/preamp provides the supply voltage for the tube preamplifier and houses a Low Cut switch that can be used to reduce the low frequency response, if so desired. The included 7-pin multi-core cable supplies power to the mic and routes the audio signal to the XLR socket on the PSU-T.The ultimate recording micSince the early days of recording, sound engineers have been searching for the best-sounding mics for recording acoustic instruments and the human voice. The resounding choice of professional recordists around the globe has been the tube condenser microphone because nothing compares to a sound that’s so open, warm, and full of character. Unfortunately, tube mics can wipe out a home-recording budget faster than you can say “phantom power supply.” But with the T-1, anyone who can afford a decent live microphone can have a studio-grade, tube-powered condenser mic for about the same price.The T-1′s sensitive sideAnother advantage of tube mics is that they typically outperform transistor designs when it comes to subtle signal levels, such as environmental ambiance. The T-1 condenser mic picks up every nuance of your performance, capturing an openly transparent slice of time and space with just the right amount of tube warmth. Now you’ll be able to justify that new set of strings for your acoustic guitar (because you’ll hear the difference), and you’ll marvel at the sparkling highlights coming off your wind chimes.Professional, large-diaphragm, tube condenser microphone for unsurpassed audio qualityHand-selected 12AX7 vacuum tube for exceptional warmth and |
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Mxl V69xm Tube Condenser Mic $399 Internally wired with world-class Mogami cable, the MXL V69XM is a versatile vacuum tube condenser microphone with a 32mm capsule and transformer-balanced output for extremely high levels of tonal quality. The MXL mic is a perfect complement to analog and digital recording devices and will give you superb vocal and instrument reproduction for years to come.Transformer-balanced output for smooth sound12AT7 dual triode vacuum tubeUpdated grill design complements capsuleComes with shockmount, power supply, 15′ 7-pin Mogami cable, 15′ XLR Mogami microphone cable, cleaning cloth & flight case3-year warranty/1-year tube |
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Audix Usb12 Usb Condenser Mic $149 The Audix USB12 is a miniaturized USB condenser microphone used for recording voice and acoustic instruments directly into a computer. Known for its clarity, excellent transient response, SPL handling, and ease of operation, the USB mic is designed to naturally capture and reproduce vocals and instruments with stunning detail. The USB12, which is characterized with a uniformly controlled cardioid polar pattern, provides excellent isolation and control at the sound source. With a smooth and accurate response over a frequency range of 50 Hz – 16 kHz, the USB12 sits on top of a stable desktop base and can be quickly and easily adjusted to any position. The USB microphone has a 16 bit sample resolution and supports 44.1k and 48k sample rates for both playback and recording. This high definition condenser mic features a push-to-talk button with the option of ‘steady on’ or ‘momentary on’ as well as a headphone jack for real time monitoring and a bass roll-off filter to control unwanted low frequency signals. The USB12 microphone comes with a 6 ft USB cable, matt black finish, and field replaceable capsule. Flexible Gooseneck Design Records directly into a computer via USB Port Studio sound Quality “Plug and Play” Mac and PC Compatible 16 Bit Sample Resolution Supports 44.1k and 48k sample Rates 12 mm High resolution Condenser Capsule Push to Talk – ‘Steady on or Momentary On’ Bass Roll-off Filter Headphone Jack for Real time Monitoring Applications: Vocal recording Instrument recording Podcasting Live chat, IP communication Medical/Legal reporting Internet telecommunication Conferencing |
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Audix USB12 USB Condenser Mic $149 The Audix USB12 is a miniaturized USB condenser microphone used for recording voice and acoustic instruments directly into a computer. Known for its clarity, excellent transient response, SPL handling, and ease of operation, the USB mic is designed to naturally capture and reproduce vocals and instruments with stunning detail.The USB12, which is characterized with a uniformly controlled cardioid polar pattern, provides excellent isolation and control at the sound source. With a smooth and accurate response over a frequency range of 50 Hz – 16 kHz, the USB12 sits on top of a stable desktop base and can be quickly and easily adjusted to any position.The USB microphone has a 16 bit sample resolution and supports 44.1k and 48k sample rates for both playback and recording. This high definition condenser mic features a push-to-talk button with the option of ‘steady on’ or ‘momentary on’ as well as a headphone jack for real time monitoring and a bass roll-off filter to control unwanted low frequency signals.The USB12 microphone comes with a 6 ft USB cable, matt black finish, and field replaceable capsule.Flexible Gooseneck DesignRecords directly into a computer via USB PortStudio sound Quality”Plug and Play”Mac and PC Compatible16 Bit Sample ResolutionSupports 44.1k and 48k sample Rates12 mm High resolution Condenser CapsulePush to Talk ‘Steady on or Momentary On’Bass Roll-off FilterHeadphone Jack for Real time MonitoringApplications:Vocal recordingInstrument recordingPodcastingLive chat, IP communicationMedical/Legal reportingInternet telecommunicationConferencing |
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2CHAN 48V PHANTOM POWER SUPPY PERPFOR SCM SERIES $59.99 The SMPS-2X provides 48V DC phantom power for condenser mics and has 2 balanced XLR mic inputs allowing for stereo recording, and outputs to connect in-line with a mic and mixer. The SMPS-2X has state-of-the-art features and specs and is a valuable studio tool.2-channel 48V phantom power supplyLow-noise Full-frequency response, Dual XLR inputs and outputsRugged metal housing18V AC power 300mA (adapter included)Works with all Nady SCM Series Microphones |
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32X8 32 Channel Mixer $3799.99 The 8Bus series was designed to eliminate the last barrier between you and audio creativity. The 328 is capable of sound quality equal to or better than that of $100,000 consoles. 8Bus consoles have recorded more platinum albums and major motion picture soundtracks than any other mixer in their class — they set the standard for affordable 8-bus consoles. Excellent for project studios and digital multitrack recording, when combined with digital multitrack or hard disk recording systems, a Mackie 8Bus console can create not just major label CDs, but major motion picture soundtracks and network quality commercials. Features include low-noise/high-headroom mic preamps on every channel, as well as channel inserts and direct outs. In the channel strip you’ll find Mackie’s truly musical EQ — with Hi and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid EQ — as well as our Low Cut Filter, which allows you to eliminate mic thumps and room rumble from your mix, and use your EQ for music and vocals. With Mix B, in-line monitoring is a breeze. Six aux sends and six aux returns allow you to use all the effects you want. And the 8Bus’s complete talkback and phones level controls make communicating with the talent a snap. When you get right down to it, the 8Bus series of recording consoles is a value at many times the price. The fact that artists and producers of every shape and size have sworn by them means when you buy an 8Bus you’ll be in good company. Features: 32 channel console, Loads of outputs for easy multitracking, Mackie’s premium mic preamps on every channel (with phantom power for use with condenser mics), 100mm log-taper faders for consistently smooth fades, EQ: Full parametric Hi-Mid w/separate band center & Q controls, swept Lo-Mid, and Hi & Lo shelving EQ, Low Cut Filter (18dB/oct @ 75Hz) on every channel, 6 stereo (2 assignable) aux returns, Extensive routing capabilities. Stand and Meter Bridge not included. |
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7kit 7 Piece Drum Mic Set $279 The Samson 7kit is a complete collection of 7 dynamic microphones, all intended for the professional recording of an acoustic drum kit. Theyre easy to set up and get great professional results at a very attractive price.Included in this package are 1 Q-Kick bass drum mic with a mic stand swivel mount, 1 Q-Snare snare drum mic with a rim clip, 3-Q Tom tom mics with rim clips and 2 C02 pencil condenser mics with shock-mount clips (for overheads). You can also use any of the Q mics for different applications than drum miking with the only possible limit being your imagination. All Samson Q mics feature gold-plated connectors for optimum contact to your XLR mic cables. The Samson 7kit comes in a beautiful, rugged road case. No brainer!Seven piece drum mic kit One Q Kick kick drum mic with mic stand swivel mount One Q Snare snare mic with rim clip Three Q Tom tom mics with rim clips Two C02 pencil condenser mics with shock-mount clips Gold-plated XLR connectors Road case included WARRANTY 3 years parts and labor. |
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AKG Acoustics C414 XLS Large Diaphragm Studio-Standard Condenser Microphone, 5 Selectable Polar Patt $999 The C 414 XLS from AKG is a large diaphragm condenser microphone ideal for detailed pickup of acoustic instruments. The mic offers 5 selectable polar patterns, giving you the perfect solution for any recording situation. The mic has an extremely high SPL capability, wide dynamic range and low self-noise to produce clean, lifelike audio without overloads or distortion.The mic’s metal body and transformerless design make it immune to electrostatic and electromagnetic interference for trouble-free operation. The capsule is internally mounted on an elastic suspension to minimize vibration and handling noise.A set of 3 switchable bass cut filters and 3 pre-attenuation pads let you reduce low frequency pickup and increase the mic’s headroom while recording loud sound sources. Bi-color LED indicators let you see the selected polar pattern and output overload at a glance. The mic comes complete with a metal road case, a shock mount, pop filter and foam windscreen. |
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AM3 Stereo USB Condenser Microphone $49.99 The AM3 is a stereo digital microphone for directly recording stereo audio into your computer. You can place the dual-capsule condenser mic into most environments and capture true stereo sound.EASY COMPUTER INTERFACEThe AM3 makes computer connection simple, requiring nothing more than a standard USB port on your Mac or PC. A built-in preamplification system coupled with an onboard stereo analog-to-digital converter ensures high quality audio recording to your DAW software of choice. And because the AM3 has a mini-USB jack output, there's no need for complicated interface boxes or timecode alignment between the two sides. One cable is all you need for this digital solution.QUALITY AUDIO CAPTUREThe AM3 features a dual-capsule condenser microphone design that enables you to record detailed stereo audio. Wide, 30 20,000 Hz frequecy response rivals that of microphones costing tens of times more money! And its studio-ready analog-to-digital conversion creates 16-bit, 44.1 or 48kHz signal. The mic's body even has a gain control for adjusting the input trim with no computer control required.COMPLETE THE PACKAGEThe AM3 comes with a free Alesis podcast-hosting subscription enabling you to share your recordings with the world. The AM3 also comes with a carry case, mic clip, and cable. LOADS OF APPLICATIONSThe AM3 is the perfect choice for all kinds of settings, such as conference tables, lectures, acoustic music, interviews, podcasting, voice-overs, and more!Features:Dual-capsule condenser microphone captures detailed stereo audioInternal analog-to-digital conversion at 16-bit, 44.1 or 48kHzFrequency response: 30 20,000 HzFront-panel gain slider for input trimLED power indicatorSingle-cable, plug-and-play connection for Mac and PCCompatible with most Mac and Windows class-compliant drivers and softwareIncludes Alesis podcasting subscription |
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ART SplitCom Pro 2 Way Mic Splitter / Combiner $35 Use the SPLITCom Pro to Split or Combine balanced low impedance microphone signals. As a Splitter: The SPLITCom Pro provides one direct-coupled output and one isolated output from a single microphone. Applications include sending the direct output to the main or FOH mixer, and the second isolated output to a monitor or recording mixer. The MAIN MIC OUTPUT passes phantom power from the main mixer to the MAIN MIC INPUT for use with condenser microphones. Phantom power is blocked from passing to the ISOLATED MIC OUTPUT. AS A COMBINER: The SPLITCom Pro provides one output from two microphone inputs. The PHASE switch can be used to invert the relative phase of the ISOLATED MIC INPUT. Applications include dual micing of percussion instruments, choirs, and instrument amplifiers. Phantom power passes through each output to their respective input, (MAIN to MAIN, ISOLATED to ISOLATED), however phantom power is blocked from passing between the MAIN and ISOLATED signal paths. Only the audio passes between the MAIN and ISOLATED signal paths (it is present on all inputs and outputs). |
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AT3035 Cardioid Condenser Microphone $139.99 Designed for critical home/project/professional studio applications and live performance, this 30 Series large-diaphragm side-address cardioid condenser delivers exceptional detail and low noise. With its extended low-frequency response, the AT3035 produces rich, full sound reproduction and handles extremely high sound pressure levels with ease. Tailored for a smooth, natural sound, this mic is a perfect complement for digital recording equipment. Along with its rugged construction and high-performance specifications, the AT3035 provides an exceptional level of consistency from model to model. Custom-engineered large diaphragm for exceptional detail and low noise Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source High max SPL, wide dynamic range and optimized output level provide unmatched versatility Low self-noise (12 dB SPL) perfectly suited for today’s most sophisticated digital recording equipment Extended low-frequency response for rich, full sound State-of-the-art surface-mount electronics ensure compliance with A-T’s stringent consistency and reliability standards Custom shock mount provides superior isolation Lo-cut switch (80 Hz, 12 dB/octave) and 10 dB pad Specifications: ELEMENT Fixed-charge back plate, permanently polarized condenser POLAR PATTERN Cardioid FREQUENCY RESPONSE 20-20,000 Hz LOW FREQUENCY ROLL-OFF 80 Hz, 12 dB/octave OPEN CIRCUIT SENSITIVITY -32 dB (25.1 mV) re 1V at 1 Pa IMPEDANCE 250 ohms MAXIMUM INPUT SOUND LEVEL 148 dB SPL, 1 kHz at 1% T.H.D.; 158 dB SPL, with 10 dB pad (nominal) NOISE 12 dB SPL DYNAMIC RANGE (typical) 136 dB, 1 kHz at Max SPL SIGNAL-TO-NOISE RATIO 82 dB, 1 kHz at 1 Pa PHANTOM POWER REQUIREMENTS 11-52V DC, 3 mA typical SWITCHES Flat, roll-off; 10 dB pad (nominal) WEIGHT 13.8 oz (390 g) DIMENSIONS 6.69″ (170.0 mm) long, 2.05″ (52.0 mm) maximum body diameter OUTPUT CONNECTOR Integral 3-pin XLRM-type ACCESSORIES FURNISHED AT8458 shoc |
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Allen & Heath ZED-R16 16-Channel FireWire Mixer $2499 The ZED-R16 is Allen & Heath’s first true recording FireWire mixer in over 10 years. This exceptional recording mixer with 18 FireWire I/O can also be used as a versatile live front-of-house mixer. The best performing preamp in Allen & Heath’s entire range is packaged with a high-quality analog-to-FireWire interface, extensive EQ, and a well-featured analog channel strip.Combining an analog recording mixer with a FireWire soundcard, MIDI controls, and ingenious home-studio routing, the ZED-R16 FireWire mixer allows you to build tracks in the studio, record live gigs, mix-down, remix—all through warm analog circuitry, 4-band fully parametric, classic British EQ, and out in crisp, precise, digital format.In the studioThe ZED-R16 16-channel mixing console combines an imaginative feature set with professional build qualities to create the ideal centerpiece for any project studio with big ideas, or larger studios with dedicated live rooms. Control room speaker, alternate speaker outputs, and two separate artist monitor feeds are provided. In addition to the digital interface, two analog recording outputs, and a dedicated internal condenser talkback mic are also available. Features such as the dual function audio/MIDI faders and built-in sequencer transport were dreamed up by engineers at Allen & Heath who have home studios themselves, so they’ve made sure they’ve built in features they really need.SoundcardThe internal soundcard features 18 FireWire inputs, 18 outputs, and 16 ADAT I/O. Each channel on the mixer has its own independent soundcard channel so instruments can be recorded simultaneously (pre- or post-EQ) and into the sequencer separately. To minimize clock jitter and provide synchronicity between the ZED-R16 mixer and other devices, it’s equipped with the professional JetPLL digital audio chipset.Mix-down and live In addition to multitrack recording, the ZED-R16 allows mixing down in analog, then recording back into the computer in digital. The bundled S |
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Audio-Technica AT4022 Omnidirectional Condenser Microphone $349 The low-profile AT4022 omnidirectional condenser recording mic is outstanding for piano, acoustic guitar, and other acoustic instruments. With a flat, extended frequency response and wide dynamic range ideal for critical studio and live applications, the AT4022 handles high SPLs with ease. The microphone’s omnidirectional polar pattern preserves the sound of the recording location, delivers flat response and freedom from proximity effect. Its low-mass diaphragm improves transient response and reduces handling/mechanical noise transfer. Requires 48V DC Phantom power.High SPL handling and wide dynamic rangeFlat, extended frequency responseSwitchable 80 Hz hi-pass filter and 10 dB padOmnidirectional polar pattern provides maximum ambient pickupLow self noise perfectly suited for digital recording equipmentExceptional reproduction of low frequency soundsLow-mass element for superb transient response |
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Audio-Technica PRO 24-CM Detachable Microphone – Dynamic – Detachable – Stereo – 100Hz to 17kHz – Cable $78.79 The PRO 24-CM camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound. Equipped with an accessory shoe and permanently attached coiled cable, the microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. The microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. |
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Audio-Technica PRO 24-CM Stereo Condenser Microphone for Camcorders $139 The PRO 24-CM camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound. Equipped with an accessory shoe and permanently attached coiled cable, the microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. The microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. |
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Audio-Technica Pro AT-897 Line + Gradient Compact Shotgun Condenser Microphone $369 Audio-Technica’s AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic. |
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Audio-Technica Pro PRO24 XY Stereo Condenser Microphone $80.32 The PRO 24 sets a new price/performance standard in stereo microphone technology. Designed for professional recording and DAT field use, it offers the convenience of affordable, high-quality stereo pickup in a single microphone. Its compact, lightweight design is perfect for camera-mount use. The microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. It features battery-free operation when used with recording devices that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO 24 is rugged; it’s built to endure the rigors of field production. |
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Audio-Technica U853R Hanging Microphone – Hanging – 30Hz to 20kHz – Cable – Black $179.95 Perfect for speech, theater, orchestra and choir sound reinforcement and recording, the U853R cardioid condenser hanging microphone is equipped with UniGuard innovations that offer unsurpassed immunity from radio frequency interference. With a consistent cardioid polar pattern, the mic offers natural sound from any angle, and superior gain before feedback. It is phantom powered and features an integral 80 Hz low-cut UniSteep filter that reduces pickup of low-frequency ambient noise. The microphone accepts interchangeable elements, available in cardioid, hypercardioid, omnidirectional and UniLine line cardioid polar patterns. |
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Audix USB12 USB Microphone $149 The Audix USB12 is a miniaturized USB condenser microphone used for recording voice and acoustic instruments directly into a computer. Known for its clarity, excellent transient response, SPL handling, and ease of operation, the USB mic is designed to naturally capture and reproduce vocals and instruments with stunning detail.The USB12, which is characterized with a uniformly controlled cardioid polar pattern, provides excellent isolation and control at the sound source. With a smooth and accurate response over a frequency range of 50 Hz – 16 kHz, the USB12 sits on top of a stable desktop base and can be quickly and easily adjusted to any position.The USB microphone has a 16 bit sample resolution and supports 44.1k and 48k sample rates for both playback and recording. This high definition condenser mic features a push-to-talk button with the option of ‘steady on’ or ‘momentary on’ as well as a headphone jack for real time monitoring and a bass roll-off filter to control unwanted low frequency signals.The USB12 microphone comes with a 6 ft USB cable, matt black finish, and field replaceable capsule.Flexible Gooseneck DesignRecords directly into a computer via USB PortStudio sound Quality Plug and Play Mac and PC Compatible16 Bit Sample ResolutionSupports 44.1k and 48k sample Rates12 mm High resolution Condenser CapsulePush to Talk ‘Steady on or Momentary On’Bass Roll-off FilterHeadphone Jack for Real time MonitoringApplications:Vocal recordingInstrument recordingPodcastingLive chat, IP communicationMedical/Legal reportingInternet telecommunicationConferencing |
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BB-1000CD CD & SD Card Recorder $599.99 The BB-100CD Portable CD/SD Recorder is built to make recording to CD as simple as pressing record on a cassette "boom box". The battery powered recorder records to either SD Card media or black CDs from four built -in microphones or XLR mic inputs. The two front and two back mics can be individually trimmed for a balanced recording, and tracks can be immediately played back through a built- in 10W sound system. The BB-100CD has been designed for simple operation in schools, houses of worship, and band rehearsal spaces. The recorder offers uncompressed recording to CD-R/RW media for audio CDs. The SD Card can capture as WAV file or MP3 files, and SD Card recordings can be burned to CD. The BB-100CD can use two microphones on the front of the unit, two mics on the rear, or a pair of XLR mic inputs with phantom power as the recording source. Tracks can be played through the built-in speaker system, and can be looped and slowed down without changing pitch.Features:Recording to CD-R/RW or SD/SDHC Memory Card Uncompressed PCM Recording (CD/SD) MP3 Recording (SD) Copy function dubs from SD to CD/ CD to SD Four Built-in High Quality Condenser Microphones for 360-degree recording Built-in 10W stereo Sound System Simple Operation with Dedicated Knobs and Keys Variable Speed Audition with Key Control Loop Playback Metronome and Chromatic tuner Over-dub recording Powered through 8 x AA Batteries or AC power adapter Wireless remote control unit included 2 x XLR mic inputs with +48V phantom power |
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BeachTek DXA-SLR Dual XLR Audio Adapter with Built-in Preamplifiers and Phantom Power for DSLR Camer $389 The BeachTek DXA-SLR is a two-channel, active XLR adapter with built-in preamplifiers for attaching external microphones and other audio gear to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. The DXA-SLR uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. The DXA-SLR is very easy to set up and use. It allows you to connect a wide variety of audio devices including wireless systems, mixers, sound boards and professional condenser microphones that require 48 volt phantom power to operate. The built-in signal indicators make it easy to verify the proper input levels at a glance while the level controls allow you to adjust the output level for optimum recording. The headphone jack lets you monitor the audio from the adapter during recording, or camera during playback. A unique feature of the DXA-SLR is the ability to control the wild swings of the Auto Gain Control that plague most cameras. This dramatically reduces noise during quiet moments of recording. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod. |
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Behringer EUROLIVE B205D Active PA/Monitor Speaker Black $149.99 * Multi-purpose, 150-Watt, active speaker for vocal and keyboard monitoring, multi-media, press conferences and home recording studio, etc. * Revolutionary Class-D amplifier technology – enormous power, incredible sonic performance and super-light weight * 5.25 premium-quality, full-range neodymium driver * Ultra-low noise 3-channel mixer with 3-band EQ * 2 Invisible Mic Preamps with phantom power for condenser microphones and 1 instrument-ready input (no DI required) * Dedicated stereo input for keyboards, MP3, CD, etc. * XLR ”through” connector with mic/line switch for linking more B205Ds * Mic stand integration system for use with stand and boom * Integrated limiter for ultimate system control and speaker protection * Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption * Super-tough, impact-resistant enclosure with integrated top carry handle * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER Germany |
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Behringer Vacuum Tube Studio Condenser Microphone $196.99 Since the early days of recording, sound engineers have been searching for the best-sounding mics for recording acoustic instruments and the human voice. The resounding choice of professional recordists around the globe has been the tube condenser microphone. Why? Because nothing compares to the sound captured by a good tube condenser microphone – so open, warm and full of character. But tube mics can wipe out a home-recording budget faster than you can say phantom power supply. That? why we?e so very proud to present our new T-1 and T-47 microphones. These mics exemplify our commitment to quality and value ?now anyone who can afford a decent live microphone can have a studio-grade, tube-powered condenser mic for about the same price. |
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Behringer Xenyx 502 Mixer $41.95 XENYX 502Premium 5-Input 2-Bus Mixer with XENYX Mic Preamp and British EQ Premium ultra-low noise, high headroom analog mixer State-of-the-art, phantom powered XENYX Mic Preamp comparable to stand-alone boutique preamps Neo-classic British 2-band EQ for warm and musical sound Main mix, stereo CD/tape plus separate headphone outputs CD/tape inputs assignable to headphone output or main mix outputs High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany The Ins and OutsThe 5-input, 2-bus XENYX 502 with XENYX mic preamp can accommodate either a dynamic or condenser microphone. The two-band British EQ is famous for its warm, musical sound. Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs. Small Is BeautifulWeighing in at 1.2 pounds (0.55 kg), the XENYX 502 is the portable, practical way to turn a speech or scaled-down performance into a sound to behold. Schools, meeting rooms, coffee shops and songsmiths the world-round agree this mighty mite is a high-fidelity lifesaver. ValueLending optimum sound quality to small-scale performances has never been this easy or affordable. The XENYX 502 provides incredible versatility at a price other mixers in this class simply cannot touch. Test drive a 502 at your nearest BEHRINGER dealer. |
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Beta 98DS Supercardioid Condenser Microphone $229 Miniature Supercardioid Condenser for Drum Applications, Includes In-Line Preamplifier and A98D Microphone Drum Mount. For toms, snares and percussion instruments, no other microphone stands up to the performance and versatility of the new Shure Beta 98D/S. The Beta 98D/S is a high performance mini-condenser microphone designed to excel at professional sound reinforcement or recording. Its ultra-uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. In addition, an optional cardioid cartridge lets you easily adapt the mic to different applications. |
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Blue Microphones Yeti Pro Multipattern Condenser Mic with Coby Headphones and Mic Filter Kit $279.95 The Yeti Pro is the worlds first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output. Featuring three custom condenser capsules and four different pattern settings, the Yeti Pro can capture digital audio with up to four times the clarity found on CDs. Plus, the Yeti Pro features a cutting-edge A-D converter chip and separate analog circuit path for use with professional studio mixers and preamps. You also get a built-in headphone amplifier for zero-latency monitoring, and direct controls for headphone volume, pattern selection, mute, and microphone gain. So whether you record at home, in a studio (or in the Himalayas!), the Yeti Pro is your ultimate sound solution. |
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C-Valve Tube Microphone Preamp $89 Adds the warmth of analog tubes to digital recordings.A true tube pre-amp that provides pure signal and silky sound. It features variable gain and variable tube process saturation for adding harmonics. Regardless of which mic you use, it will maintain detail and transparency. 48-Volt phantom power, phase and peak limiter round out the control set. A large analog VU output meter and a 6-segment LED input meter make it easy to adjust the gain. Use its insert points along with a C Class Compressor for a direct path to a gorgeous front end sound. The C-valve provides a digital output as well. A high quality microphone or instrument pre-amplifier using discrete transistor and tube gain cells. On board Limiter for leveling the output is useful in recording and live sound applications. The total amount of harmonic overtones or warmth can be controlled using the Saturation control. An Input Gain control is included to maximize the overall input gain stage, handling levels from microphones or instruments. A pre-set sweetening equalization curve can be added using the Enhance switch. Positive or negative phase can be selected using the Phase switch. The addition of an Analog VU meter makes it easy to read the Output Level. 48-volt phantom power for powering condenser microphones is available by pressing the LED, backlit, 48-Volt push switch located on the front panel. S/PDIF output via an internal, high quality A-to-D (analog-to-digital) converter sends 24-bit digital audio to hard disk recorders via the rear panel RCA connector. Sample rate selection via the front panel, backlit switch allows 48 or 96K sample rates. Six segment LED Input VU meter displays the level after the Gain control. Convenient 1/4-inch insert points are included for external signal processing. Balanced XLR microphone input and 1/4-inch balanced line input connectors allow easy hook up of mics or instruments. Oversized, rubber bumpers with tilting feet allow several Samson C class units t |
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C01U USB Studio Condenser Microphone $99 Samson presents the USB studio condenser microphone that started it all: The C01U.This classic USB microphone bridges the gap between mid-level USB audio adapters and pro-line products that require additional drivers, special software, and/or excess cabling. The C01U is USB compatible with any Mac or PC, as well as most DAW software programs, including GarageBand. It also comes with Cakewalk's Sonar LE digital audio workstation software. Its supreme ability to produce pristine audio recordings with ease and moblity, along with a desktop mic stand, mic clip, USB cable and carry pouch also included, makes the C01U a most valueable addition to any studio. Once drawing inspiration from the wildly successful C01 unit, the C01U is now the foundation and best-seller of Samsons extensive line of USB microphones. The C01U features a large 19mm shockmounted diaphragm efficient in reproducing both low- and high-volume sounds with equal articulation. The cardioid pickup pattern provides a smooth, flat frequency response. Capturing audio at 16-bit resolution up to a 48kHz sampling rate, the C01U offers the accuracy you need to be sure that what you hear is what you get.The C01U is essential for any level of musician, but its versatility can be applied to create audio solutions for anyone who records audio, particularly podcasters, educators, and business professionals.Music ManagerFor musicians, the convergence of computer and audio technologies has established the home/mobile studio as an alternative to the professional recording facility. Whether youre touring the country or experimenting in your project studio, the C01U sets the standard for integrating your computer into your recording experience. Use the cardioid pickup pattern to record vocals or close-mic an acoustic instrument at a pro-level directly to your computer. The C01U is perfect for recording music on-the-go or in limited spaces, allowing all musicians tremendous freedom to create. Podcasters ProducerThe ev |
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CAD GXL2200SP Studio Condenser Microphone Recording Pack $249 CAD GXL2200SP Studio Condenser Mic Recording Pack |
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Chocolate Rain $37.99 “Chocolate Rain” is a song and music video written and performed by American Internet personality Tay Zonday. After being posted on YouTube on April 22, 2007, the song quickly became popular. By 2009 the video had over 45 million views. The music video portrays a bespectacled Zonday in a recording studio wearing a white T-shirt and singing into a condenser microphone. Occasional cutbacks to Zonday playing a digital piano are also shown. The video is also famous for a caption displayed early in the video “**I move away from the mic to breathe in”, which has been parodied many times. The song, and its writer/performer, attracted major media attention. “Chocolate Rain” is ranked as the hottest viral video of Summer 2007 by CTV.ca and as the number 2 viral video in the world by utalkmarketing.com. It was the winner in the Music category in the 2007 YouTube Awards. |
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Condenser Microphone $29.5 Overview: Special Design for Chatting over QQ, MSN, SKYPE and Singing over Internet; 3.5 stereo plug fit for all kinds of PC. Noisy can collation; High quality Mic. Prefect voice recorder; Conveniently set with the help of stand and clip; High-performance microphone accurately reproduces sound; Plug in, and start recording-no extra gear needed; Works with any USB-equipped computer; Desktop Mic. stand, Mic. clip. Type of Packing: Color Box |
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DJ-Tech DJTECH CD ENCODING W/ USB SD CARD SPKR R $140.01 CD to MP3 Encoder* As easy as 1,2,3 * Step-1 Play your Favourite Source – CD, AUX IN ( Guitars,Phono,iPod ,Tuner etc &hellip, ),or Select the built-in Stereo Microphone* Step-2 Select the bit Rate of Encoding in MP3sSelect the Destination of the Recording – SD Card or USB Pen drive* Step-3 Press REC to start, Press Stop to finish , and thats it !!!The Direct Encoding Function had flashed the source and put it on theMass Storage Device – SD Card or USB pen drive* CD/CD-R/CD-RW/MP3-CD/WMA-CD playback* USB SD/MMC card slot* CD Ripping (1x or 2x speed selectable)* 3 Ways to Encode – CD,AUX IN or MIC* Encode Directly to USB pen drive or SD Card* No need Any Software* Encode in MP3 with adjustable bit rate* Rate – * Built-in stereo condenser mic* Mic record level control* Encode from Aux-in / Line-in* Headphone output* Large Blue LCD Display with ID3 Text* CD Playlist up to 32 songs* USB SD support up to 999 songs 99 folders* USB 2.0 Speed with 2GB max Capacity* Play from CD,USB SD* Speaker and Amplifier built-in* Monitor speaker output (2W RMS)* 21Keys Flat Remote control (battery included)* Dimensions – 250W x 185D x 75H mm Plug Play your favourite source – CD,Aux in, or select the built-in Stereo Condenser Microphone, and REC and Encode in REAL TIME in MP3s into your SD Card or your USB Stick.NO NEED any computer, Just Plug,Play REC. With Speakers and amplifier built-in , you can listen to the songs, for example one Track of the CD, All the entire CD or a Playlist of your choice and Enjoy Double Speed Direct Recording Encoding. For School, At home, for a Band, EZ to Archive your tons of CD without the need of a computer. |
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DM3200 32 Channel Digital Mixer $3499.99 More channels. More inputs. The new TASCAM DM-3200 has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more. The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capible of running the built-in TC Works Reverb processor. Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200. The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM FireWire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI, Mackie Control and FW-1884 emulation allows the console to function as a flexible control surface for workstation software. This gives you the best of both worlds total control over your recording software transport and mixing capabilities with the cue mixing, talkback, microphone preamps and world-class automation provided by the DM-3200. 32 channels and 16 auxiliary returns for 48 total inputs 16 busses 8 Aux Sends 16 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards Dedicated cascade port supports cascade of two DM-3200s Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control All inputs, effects and processing are available at 96k — no f |
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DP-004 Digital Pocketstudio Portable Recorder $179.99 TASCAM's DP-004 Digital Pocketstudio is based on 30 years of easy-to-use cassette Portastudios, updated with four tracks of CD quality digital recording. Like those groundbreaking Portastudios, a row of knobs set levels and pan instead of a list of menus. The DP-004 can record two sources at once to the included 1 GB SD Card, A built in stereo condenser microphone makes it simple to record anywhere you go, perfect for concerts, rehearsals, and songwriting inspirations. A pair of 1/4 jacks on the rear panel allows you to connect your own microphones or sources. You can switch the inputs to guitar level for recording. The DP-004 allows you to build up your arrangements until you have filled up all four tracks. The bounce feature allows you to consolidate tracks and make room for more overdub layers. Also available is an autopunch feature for fixing problems, track editing, and undo function. Mixing is also built into the Digital Pocketsudio. Once you set levels and pan; record your mix onto a dedicated stereo master track. You're able to transfer your tracks and mixes to a computer over USB 2 for CD burning and sharing online. Despite its go – anywhere compact design-smaller than a paperback book – the DP-004 is simple enough for students, songwriters and musicians who want to keep their recording process simple and creative.Features:4- Track Digital Pocket studioBattery or AC powerBuilt in Stereo Condenser Microphone and 2- 1/4" mic/line inputsDedicated Stereo Master track and USB I/OAuto punch, track editing and undo function |
Condenser microphones used with garageband home recording
House Recording Studio Principles – Here Is That Which You Must Report
Right after I had blown very a few thousand bucks within a Sydney Recording Studio, a sound engineer pal built a awesome suggestion. So I bought a venerable eight track digital tape recorder and saved oodles of time and money putting all my synth tracks on tape. Which was my start off in residence recording, and oh, the enjoyment I’ve had due to the fact!
What exactly are the fundamental pieces of products and application one has to file in your own home?
You will discover countless approaches to do this! Properly, since you are studying this, you most likely possess a computer, so let’s base our house studio about the computer. We’ll commence by comprehending the different functions we’ll will need crammed in residence recording. Then we’ll comprehend what the most beneficial hardware and computer software products to accomplish it are. Usually, the principle I suggest is always to use fewer items of equipment with much more capabilities. That method saves time and, typically, funds. While you advance with your recording skills, you may go for a lot more specialized devices.
You will discover two distinct phases in recording a song. One would be the “in” phase, referring to anything required to acquire your new music effectiveness into a common recorded type, with nevertheless several tracks you require. The second phase could be the “out” phase, in which you will get that raw songs, method it and generate the last stereo model.
The “in” stage — sending the music in your laptop or computer
Songs could be put into your laptop or computer either as audio or as MIDI. Audio is real sound recordings. MIDI records no sounds, but only the digital guidelines for an instrument to play. It really is substantially like a combo of the pianist and sheet music. With no an instrument, he may make no music. With MIDI, you happen to be saving the notice and volume guidelines being played on the instruments of your respective choice afterwards on.
While some courses let you put MIDI notes into your computer as a result of your personal computer keyboard, together with other courses have audio era functions that help you create a whole backing band without having taking part in a be aware, the best resolution is often a velocity sensitive MIDI keyboard. It gives a a lot more realistic performance. By way of example, playing a crucial softer will record a softer note. Other features, such as aftertouch, permit you to add vibrato as well as other practical results.
Audio only signifies real seems. Audio tracks will consist of vocals, acoustic instruments, and electronic instruments whose seems you want to utilize. You might do well to obtain at the very least two microphones. Some microphones are superior built to file vocals, whilst some others are optimized for instruments. Furthermore, getting two mics enables you to document in stereo, or two soloists doing in the same time.
Receiving the music into your computer system
All of this may get your music up to your computer’s door. How do you get it inside of? With the Audio Interface which has: a microphone jack that suits your microphone cable and preamp function (in order that the signal is solid plenty of to get effectively recorded), phantom power (in the event you use a condenser mic that requirements it), a line input for synths and sound modules, as well as a MIDI interface. Bear in mind the principle – much less goods that do much more. Some discover it simpler to operate each and every audio sound, mics and all, by means of a hardware mixer (with phantom strength and effects) and sending that pre-processed signal towards the audio interface’s line input. You may however want the MIDI interface functionality for your MIDI recording, nevertheless.
When your audio and MIDI are inside your laptop or computer, software can take about. For our recording we will use what is termed an integrated audio/MIDI sequencer. These applications report a number of tracks of audio and MIDI in best synchronization.
Now you may have each of the tools you require for that “in” stage. What will you’ll need to take the many tracks of audio and MIDI you’ve got recorded and make a song from them?
The “out” stage — producing MIDI into new music
We mentioned that MIDI is just digital guidelines, it is not actual appears. Now we will have to produce real appears from people instructions. You will find two possibilities for this: exterior and inner.
External sounds come in little bins called sound modules (or keyboards with their very own fantastic sounds). Sound modules have countless high-quality patches that re-create every instrument from the orchestra, classic electronic sounds, spacey new synthesizer creations and sound effects. To use them, you deliver the MIDI back again out in the sequencer plan via the audio interface’s MIDI output and into the sound module. You then take the audio output from your sound module again into your computer system by means of the line input on your audio interface and file it on a new audio track while in the sequencer. It’s now a genuine sound and is also completely lined up using the other tracks.
Inner sounds are available in plenty of different types. Instruments you use from within your audio/MIDI sequencer incorporate VST instruments and software package synths. The latter may well automatically have your audio interface, or involve set up like another program. Solution two is a full-blown sampler/synthesizer program, this sort of as “Reason”, which you hook up your sequencer to through a software package functionality referred to as “Rewire.” And in addition there are sound modules that can be found in the form of PCI cards that you physically install on your personal computer.
Good tuning and effects
Most each song will use spatial effects such as reverb and echo. You could discover that some tracks are somewhat out of tune. On others, there may be a steady buzz that needs to be eliminated. For all of those, you will want to have an audio editing software or plug-in. A plug-in is just a function you are able to include for your basic sequencer plan. Plug-ins exists for all sorts of capabilities, including reverb, compression, equalization, sounds reduction, pitch correction and so forth.
An audio editing method is often a standalone plan that does all of those items. With most audio/MIDI sequencers, you are able to configure your software package to call up the audio editing method and correct the track devoid of leaving the sequencer.
Mixing down
When you have all your tracks and appears recorded, you will need to mix them down to stereo. Once more, this will be carried out in an exterior or inner fashion. To perform it externally, you would want a hardware mixer. This method limits you towards the quantity of tracks you can send independently through your audio interface and also the quantity of tracks your mixer can cope with. Nevertheless, mixers supply you with a genuine surface area to operate on, and usually include quality studio effects, reverbs and this kind of.
Inner mixing indicates making use of your audio/MIDI sequencer to combine down the entire song to two tracks. The gain of executing it internally will be the expanded variety of tracks you are able to use. The drawback is the problems of mixing with a mouse on the pc display. You can find, even so, hardware mixing surfaces which simply management your software program.
Mastering and burning
After you have your stereo mix, you need to put the finishing touches on it. These touches contain total compression, equalization, sound reduction, fading in and out and bringing the Mixing Studio up to a normalized level of quantity. Your audio editing software needs to be ready to handle these adequately, while there are specialized mastering applications which offer you higher good quality and lots of a lot more enhancement functions.
Then you’re prepared to burn off your song to CD. Odds are that your CD composing push came having a method that does just that and you will not likely will need anything more. I did point out that you’ll need a CD writing push, did not I? Well, now I did! And if it truly is MP3 you are right after, most audio programs encode MP3s at the same time.
And which is it! Now you’ve got anything you will need to create your musical magic at your home. Have enjoyment, but I do not must inform you that, because it just is.